Number to the College of Liberal Arts Kansas City Kansas

Freedom of the mind

Through multiple lenses of history and art history, philosophy and literature, creative writing and the sciences, KCAI's liberal arts plan provides yous with the kind of intellectual, civic, and artful grounding that is both meaningful and lasting.  "Chance," said Pasteur, "favors the prepared mind."

We offer our students a liberal arts education with no expiration appointment

• Small classes
• An accomplished kinesthesia—practitioners themselves in their corresponding disciplines
• An opportunity for innovative student piece of work grounded in fundamentals
• A mutually-supportive thoroughfare between liberal arts and studio practices

Students tin double their career possibilities

• Major or Double-Major in art history
• Major or Double-Major in creative writing
• Earn your certificate in Asian Studies
• Earn a modest in social practice, sound, or Entrepreneurial Studies in Art and Design

"Every unmarried professor is an practiced in their field. They proved to me how necessary a wide education is in a world where a highly- specialized instruction is more often made a priority. Now I have four years of conversations to return to and build upon in my research and studio practice."

Molly Dillon
Creative Writing/Painting, 2015

Total-time Faculty

Jan Kennedy, Ph.D.

Associate Professor, Plan Head of the Art History and Asian Studies Programs

January Kennedy joined the kinesthesia at KCAI in 2006, previously working as a lecturer at KCAI and adjunct assistant professor at Washburn University in Topeka, Kan. She received a B.A. in the history of art and English language literature, an M.A. in the history of art, and a Ph.D., all from the University of Kansas. Her major area for her Ph.D. was 17th Century Dutch and Flemish paintings and prints, and her minor areas were Venetian Cinquecento painting and Japanese painting of the Edo menstruum. More recently, she was a keynote speaker presenting her current expanse of research on the Christian art of Nippon. Kennedy is a fellow member of the Higher Art Clan, the Historians of Netherlandish Art and the Clan for Asian Studies.

Contact: Jkennedy@kcai.edu

Phyllis Moore, Ph.D.

Professor, Chair of the Liberal Arts Department, and Programme Head of the Creative Writing Programme

Dr. Phyllis Moore is the author of A Compendium of Skirts, a collection of short stories (Carroll & Graf, 2002).  She is Chair of the Liberal Arts Department, Program Head of the Creative Writing Program, and co-director of the Paris Study Abroad Programme.  She earned her Ph.D. in English from the Academy of Illinois at Chicago. Her stories have been listed in the Best American Short Stories and the Pushcart Prize anthologies. Her stories and poems have been reprinted in diverse anthologies and special editions, and she is the recipient of five arts council grants from the states of Illinois and Florida. She is shortly at work on a book of minute fiction titled The City Wife. In 2011, she was honored with KCAI'southward Excellence in Didactics Award.

Contact: Pmoore@kcai.edu

Anne Boyer, M.F.A.

Associate Professor

A widely-published poet and essayist, Anne Boyer has been teaching at the Kansas City Art Institute since 2007. Her latest book, Garments Confronting Women (Ahsahta, 2015) spent four months equally the Small Press Distribution number one bestseller in poesy. Recent essays have appeared in Guernica, Fullstop, The New Research, and Mute Magazine. Her pedagogy areas include experimental writing, aesthetics, gender studies, and digital culture. Critical appraisement of Boyer's contributions to poetry and poetics is discussed in Piotr One thousand. Gwiasdá'south 2014 book, U.S. Poetry in the Age of Empire, 1979-2012. She was voted "Best Writer" of 2014 in The Pitch's annual "Best of Kansas City" issue. Boyer earned an Yard.F.A. with distinction in creative writing in 1997 from Wichita Land Academy and a B.A. degree in English literature in 1996 from Kansas State University. Before coming to KCAI, she taught artistic writing and literature at Drake University in Des Moines. Author website: http://www.anneboyer.com

Contact: aboyer@kcai.edu

Cyrus Console-Soican, Ph.D.

Acquaintance Professor

Cyrus Panel-Şoican is the author of Brief Under H2o  (Called-for Deck, 2008), for which he received a Fund for Poetry award, The Odicy  (Omnidawn, 2011), and Romanian Notebook ( FSG, 2017). Recent poesy has appeared in Brick , Critical Quarterly , Harper'due south , and Paris Review.   He holds a B.S. degree in organismal biological science from the University of Kansas, an One thousand.F.A. degree in writing from the Milton Avery Graduate Schoolhouse of Arts at Bard Higher, and a Ph.D. in literature and creative writing from the University of Kansas.

Contact: Cconsole@kcai.edu

Steve Cromwell

Associate Professor

Steve Cromwell teaches history of photography, history of film, gimmicky European art, Latino fine art of the 20th century, 19th century painting, aesthetics and art criticism, women in contemporary fine art, modern sculpture and American fine art since 1945. Formerly an exhibiting artist, Cromwell's mixed media photographic piece of work has been shown in many solo, invitational, grouping and juried exhibitions throughout the United States. Cromwell has been a visiting artist and lecturer for a number of special programs and colleges. He has served as photo editor of The Cottonwood Review literary magazine at the University of Kansas, and as editor of Words, a literary magazine at Kendall College. He has been a member of the KCAI faculty since 1972, and he holds bachelor's and master's degrees from the University of Kansas.

Contact: cromwell@kcai.edu

Rebecca Dubay, Ph.D.

Acquaintance Professor and Ray Beagle Chair of Fine art History

Rebecca Dubay, acquaintance professor and Ray Beagle Chair of art history, specializes in fine art from 1945 to the nowadays. Her enquiry interests include art of the 1960s, the politics of brainchild, gender studies, and migration. Dubay has presented her enquiry at conferences in London, Frankfurt am Chief, Nijmegen, and Washington DC, among other cities. In 2018, she was honored with KCAI's Excellence in Teaching Award. Before joining KCAI, Dubay taught in the M.F.A. in studio art program at Moore College of Art and Blueprint. She earned a B.A. degree in art history and business management from the Academy of South Florida, an 1000.A. caste in art history from Tufts University, and M.A. and Ph.D. degrees in the history of art from Bryn Mawr College.

Contact: Rdubay@kcai.edu

Michele Fricke, M.F.A.

Professor

Michele Fricke teaches aboriginal and renaissance art and the history of textiles and ceramics. A practicing artist, Fricke creates fiber work that has been shown in exhibitions across the country and which as well is represented in many individual collections. She has been published in Ceramics Monthly and Fiberarts and is a regular correspondent to the Surface Design Journal. Her current research involves an investigation of historical compages, interpreted in knitted form. Fricke received KCAI's "Excellence in Educational activity Award" in 1993. She has spoken at numerous venues including the Nelson-Atkins Museum of Fine art, the National Association of Colleges of Art and Design, the Red Star Studio in Kansas Urban center, and recently, at Baylor Academy on "Fiber Fine art: The New Dynamism." Before coming to KCAI in 1988, she taught at Northern Illinois Academy in DeKalb, Ill.; St. Mary'southward College in Notre Dame, Ind.; and the University of Nevada in Las Vegas. At the last two schools, she also served as the director of exhibitions. Fricke earned a B.Southward. degree in education, an Thousand.A. degree in art history and an K.F.A. degree in fiber from Northern Illinois University.

Contact: Mfricke@kcai.edu

Milton Katz, Ph.D.

Professor, Vice President of Academic Affairs and Dean of Faculty

Dr. Milton Katz teaches classes in American history and literature, the Holocaust, and peace and conflict resolution. He is the writer of 3 books, and over 2 dozen articles, book capacity, essays and reviews on peace and social justice movements in contemporary American history. He has likewise presented lectures on art of the Holocaust in educational, community, and religious institutions throughout the United States and Europe. Dr. Katz has been the recipient of numerous grants and awards from the National Endowment for the Humanities, the Missouri and Kansas Humanities Councils, and the Mellon and Fulbright Foundations. In 1998, he received the Kansas City Art Found's Special Project Award, the Excellence in Educational activity Laurels in 2001, and, in 2007, the Distinguished Achievement Award. In 2008, he
received the prestigious William Rockhill Nelson Award for Literary Excellence by Missouri and Kansas authors in non-fiction for his volume Breaking Through: John B. McLendon, Basketball game Legend and Civil Rights Pioneer.

Eleanor Lim-Midyett, Ph.D.

Assistant Professor

Eleanor Lim-Midyett, Ph.D., has taught at the Kansas Urban center Art Plant since 1994. She received a B.A. degree in English literature from Georgetown University in Washington, D.C., and earned M.A. and Ph.D. degrees in East Asian languages and literature from Yale University. She was also a author for AMagazine: Within Asian America.

Contact: Elim-midyett@kcai.edu

Jordan Stempleman

Assistant Professor

Jordan Stempleman is the author of 9 books of poetry including Cover Songs Cover Songs Encompass Songs Off Days, Wallop, and No, Non Today (Magic Helicopter Press). He is an editor for The Continental Review, Windfall Room, and KCAI's literary magazine, Sprung Formal. Since 2010, he has run A Common Sense Reading Series, which features both established writers and KCAI creative writing students. Stempleman is a graduate of the Iowa Writers' Workshop where he was a Leggett Schupes Boyfriend in Verse. And in 2013, The Huffington Mail service listed him as one of "The Top 200 Advocates of American Poetry."

Writer website: https://www.jordanstempleman.com/

Fine art History Major

The art history program stimulates and enriches critical thinking, intellectual inquiry, investigation, research and analysis between liberal arts and the studio disciplines. Investigating art historical methodology and scholarship within the context of a studio-based environment provides the educatee with insights and perspectives regarding the relationships betwixt concept and practice. Read more about fine art history.

Studio Art in Creative Writing Major

The artistic writing program encourages contemplative, broadly educated artists whose training and work in visual media and literary genres will be mutually supportive. Here, the visual arts and the literary arts share the goal of accuracy of vision. The strength of the program lies in its interdisciplinary and multi-contextual nature. Read more than nigh artistic writing.

Classes

Whether yous major or double-major in creative writing, you will have over fifty courses to choose from to meet your requirements. For boosted electives and liberal arts courses download the consummate Grade Catalog.

Lower-division required cadre courses:

First-twelvemonth Seminar

• Art History I
• Art History II
• History of Thought I
• History of Thought Ii

Upper-Partitioning required electives:

• Art History
• History
• Literature
• Philosophy
• The Sciences
• Liberal arts electives

At least five of these upper-partitioning classes must exist taken at the 3000 level or the 4000 level.

At least 1 of these upper-division classes must exist a class in global/comparative studies.

hudginslectong.blogspot.com

Source: https://kcai.edu/academics/majors/liberal-arts/

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